Five deadly tests. Only One Shadow Prince.
Today is the release day of Rebel Seoul, the New Visions Award-winning science fiction debut by Axie Oh! When Lee Jaewon is assigned to partner with supersoldier Tera in Neo Seoul’s top weapons development division, he must decide where he stands: with the people his rebel father protected or with the totalitarian government that claims it will end all war.
To celebrate today’s release, we asked author Axie Oh about her writing process, the inspiration behind Rebel Seoul, and her advice to aspiring authors.
Pacific Rim meets Korean dramas in Rebel Seoul, the electrifying new sci-fi thriller out this September from the Tu Books imprint of LEE & LOW BOOKS. When Jaewon is recruited into the most lucrative weapons development division in Neo Seoul, he’s eager to claim his best shot at military glory. His objective is simple: report on Tera, the test subject in the government’s supersoldier project. But when he becomes Tera’s partner and starts to fall for her, Jaewon begins to question his loyalty to an oppressive regime. He must decide where he stands: with the people, or the totalitarian government that claims to end all war.
We asked Tu Books editor and publisher Stacy Whitman to take us through the process of bringing the cover of Rebel Seoul to life:
LEE & LOW BOOKS celebrates its 25th anniversary this year! To recognize how far the company has come, we are featuring one title a week to see how it is being used in classrooms today and hear from the authors and illustrators.
Today, we are celebrating Tankborn by Karen Sandler. First published in 2011, Tankborn was one of the original launch books for our Tu Books Imprint, which publishes diverse middle grade and young adult literature. Since its launch, Tu has published nearly 20 titles for older readers featuring diverse characters, stories, and worlds. Tu Books also established the New Visions Award, an annual writing contest for unpublished authors of color (and today is the deadline for submitting your manuscript!). Continue reading
New York, NY— May 7, 2015— Tu Books, the middle grade and young adult imprint of respected multicultural children’s publisher LEE & LOW BOOKS, is thrilled to announce that author Axie Oh has won its second annual New Visions Award for her young adult science fiction novel, The Amaterasu Project.
The award honors a fantasy, science fiction, or mystery novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.
A new year means a new chance to get to all the things you didn’t get to last year. And by “things,” what we really mean is BOOKS. We also know that reading diversely doesn’t happen by accident; it takes a concerted effort to read a wide range of books.
So, we thought we’d help on both counts by offering up a list of the diverse authors we’re resolving to read in 2015. Some are new, and some have just been on our list for years. This is the year we plan to get to them – perhaps this will be your year, too?
Halloween is right around the corner. There’s no better way to celebrate than by reading books that will scare you to pieces! Here’s a lucky thirteen list of our favorites (all featuring diverse characters or by diverse authors):
- Half World by Hiromi Goto – Melanie Tamaki lives with her mother in abject poverty. Then, her mother disappears. Melanie must journey to the mysterious Half World to save her.
- Vodnik by Bryce Moore – Sixteen-year-old Tomas moves back to Slovakia with his family and discovers the folktales of his childhood were more than just stories.
In this series, Tu Books Publisher Stacy Whitman shares advice for aspiring authors, especially those considering submitting to our New Visions Award.
Last week on the blog, I talked about the importance of following submission guidelines and basic manuscript format. This week, I wanted to go into more detail about why a reader might stop reading if they’re not hooked right away. Here are some comments I’ve heard our readers make about manuscripts that didn’t hook them:
- Story does not captivate in first few chapters
- Writing not strong, or not strong enough to hold a young reader’s (or teen’s) interest
- Parts of the writing are very strange (not in a good way)
- Sounded too artificial
- Reminds me too much of something that’s really popular
- Too Tolkienesque or reliant upon Western European fantasy tropes
- Concept cliche
How do you get your writing to have that “zing” that captivates from the very beginning? This is a little tougher than just following the directions—this is much more personal to each reader and each writer.
Is your writing boring readers?
There are a couple different issues in the list above. Some readers lost interest simply because they were bored. If you find yourself telling readers of your book, “Don’t worry! It gets really good in chapter five!” consider whether you’re starting your book at the right moment in time. The phrase “late in, early out” is one to remember—perhaps you don’t need all the information that leads to the “really good” part. Or perhaps you need to revise to make that information more interesting and faster paced.
I don’t recommend simply dumping this information into a prologue. Many young readers skip prologues entirely, and many more readers will lose interest if your prologue is long and boring—it’s the same principle as saying “just wait till chapter five!”
Summer blockbuster season is in full swing. For many moviegoers, that means escaping to a galaxy far, far away—or perhaps just a different version of our own planet Earth—through science fiction and fantasy movies. As fans clamor for the latest cinematic thrills, we decided to focus our next Diversity Gap study on the level of racial and gender representation in these ever-popular genres that consistently rake in the big bucks for movie studios. We reviewed the top 100 domestic grossing sci-fi and fantasy films as reported by Box Office Mojo. The results were staggeringly disappointing, if not surprising in light of our past Diversity Gap studies of the Tony Awards, the Emmy Awards, the children’s book industry, The New York Times Top 10 Bestseller List, US politics, the Academy Awards, and Silicon Valley where we analyzed yearly/multi-year samplings and found a disturbingly consistent lack of diversity. Continue reading