With the New Voices submission deadline quickly approaching, aspiring picture book writers preparing to submit to the contest may be asking themselves “Am I ready to send off my story?”. If you are a writer grappling with this question, you’re in luck! We’ve assembled a checklist of ten questions you should ask yourself before submitting to the 2018 New Voices Award writing contest:
Today is the release day of Rebel Seoul, the New Visions Award-winning science fiction debut by Axie Oh! When Lee Jaewon is assigned to partner with supersoldier Tera in Neo Seoul’s top weapons development division, he must decide where he stands: with the people his rebel father protected or with the totalitarian government that claims it will end all war.
To celebrate today’s release, we asked author Axie Oh about her writing process, the inspiration behind Rebel Seoul, and her advice to aspiring authors.
September is here and with the close of summer comes the close of our New Voices Award submissions window on September 30, 2017. It’s also a time when those who have submitted manuscripts—and those still in the process of doing so—may be grappling with some personal questions:
Should I submit my story if I’ve never written for children before?
I’ve always been an artist, but can I be a writer?
What happens to the winner and honor after the award?
Where can I find good advice from someone with experience?
These questions and others like them are not easily addressed in a FAQ page. So to provide this year’s participants with some insight to the contest and creative process, we reached out to former New Voices Award winners, honors, and artists who faced some of these same questions not too long ago. These three accomplished storytellers have forged successful careers as children’s book authors, illustrators, and even author/illustrators. In the following interview, author Paula Yoo (Sixteen Years in Sixteen Seconds), illustrator Shadra Strickland (Bird and Sunday Shopping) and author/illustrator Don Tate (It Jes’ Happened) share how participating in the New Voices Award helped shape their success.
You’re a writer working on a manuscript and you’ve finally got your two most important characters in the same room. There’s tension between them. One character has a question and the other has the answer. The conflict your plot has been riding on has finally come to a head—these characters need to say what’s been on their minds for pages!
But how do you make sure that your characters say what they need to in a way that’s believable to the reader? Nothing ruins a moment like this more than when the dialogue doesn’t flow or sound believable. If this is a problem you’re grappling with, don’t worry. We asked two previous New Voices Award-winning authors, Pamela M. Tuck (As Fast As Words Can Fly) and Glenda Armand (Love Twelve Miles Long) for their tips and tricks on writing successful, realistic dialogue.
Summer is right around the corner! That means the eighteenth annual NEW VOICES AWARD is now open for submissions. Established in 2000, the New Voices Award recognizes a picture book manuscript by an unpublished author of color. It was one of the first (and remains one of the only) writing contests specifically designed to help authors of color break into publishing, an industry in which they are still dramatically underrepresented. Continue reading
If you’re a new writer, looking for ways to publish a book can be daunting. It’s great that we live in a time where there’s a wealth of information at our fingertips, but a simple Google search may not get you the results that you’re looking for. So where should a writer go to find resources on how to get published as well as resources on craft?
Below we’ve compiled a list of websites, interviews, and blog posts from our very own editors that discuss writing and the publishing industry. We hope these resources serve as a starting point for any budding writer embarking on their very first writing journey.
After the success of the first #DVpit event in April, #DVpit is back for another round of Twitter pitching fun on October 5th and 6th! If you’re unfamiliar with this event, #DVpit is a Twitter pitch contest created to showcase pitches by marginalized voices and help connect them to agents and editors.
While the number of diverse books is increasing, the number of new diverse authors entering the field remains low. Significant barriers remain for authors of color, Native authors, disabled authors, and other marginalized voices. With that in mind, we are excited to share information on this special Twitter event! The information below is cross-posted with permission from literary agent Beth Phelan’s #DVpit website.
It’s August and with the New Voices Award deadline approaching in just seven weeks, participating writers may be starting to feel the heat. No sweat! The New Voices Award blog post series has got you covered from the summer sun of stress.
At this stage, you’ve probably got your cover letter and story written down. You’ve also read July’s post on the importance of voice in a story and made your narrative even more engaging to readers. Congrats! That’s two essential checks on the New Voices To-do list –but don’t seal the envelope just yet! Now that your story is down it’s time to begin the revision process.
Revision is an important part of the writing experience. It’s about revisiting what you’ve written, identifying what needs to be strengthened, and rewriting to improve your story. Every writer’s revision process is different so to provide some guidance we interviewed two New Voices Award Winners, Linda Boyden (The Blue Roses) and Jennifer Torres (Finding the Music/ En pos de la musica), about how their revision processes helped them prepare their stories for the New Voices Award.
The New Visions Award, given annually by our Tu Books imprint, honors a middle grade or young adult novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market.
In addition to our New Visions Award Winner and Honor, this year there were three New Visions Award finalists: Alex Brown (Hate Crime), Hilda Burgos (The Castle of Kings), and Elizabeth Stephens (The Rougarou). Below, they share their writing experience, what inspires them, and what they hope readers will take away from their stories. We are thrilled to introduce readers to these talented writers and can’t wait to see how their careers take shape!
Summer is settling in and this month marks the halfway point of the submissions window for our New Voices Award, an annual writing contest for unpublished authors of color. If you’re an aspiring writer working to submit a children’s book manuscript, you’ve probably got the basic elements of your story (characters, setting, and plot) figured out already. You may even have most of the story written down. If so, kudos! But a story is more than words on a page. It’s the voice behind the words that drives the narrative and keeps the reader engaged.
Unsure of how to tackle this essential yet elusive story element? Fear not!
Last month we interviewed New Voices Award winner Sylvia Liu about her path to publication. In this next blog post, New Voices Award Winner Patricia Smith and New Voices Award Honor Hayan Charara share their experiences with shaping voice while tackling the difficult themes in their award-winning titles Janna and the Kings and The Three Lucys. Continue reading