Tag Archives: LGBT

Where’s the Diversity? 5 Reasons Why the US Government Isn’t More Diverse

In our previous diversity studies on the Academy Awards, the Emmy Awards, the children’s book field, The New York Times Top 10 Bestseller List, Sci-Fi and Fantasy Films, the Tony Awards, and Silicon Valley we interviewed people who actively work in television, publishing, and the theater. We attempted to duplicate this approach for our diversity study on US politics, but with the government shutdown, none of the twelve Congresspeople we contacted responded to our efforts to reach out to them. However, we think the numbers speak for themselves: Continue reading

True or False? Multicultural Books Don’t Sell

We Are the Problem, We Are the Solution

Elizabeth BluemieElizabeth Bluemle is the co-owner of the Flying Pig Bookstore in Shelburne, VT.

As an independent bookseller, former school librarian, and lifelong avid reader, I crave the day when publishing lists are as Guest Bloggerdiverse and rich as the playgrounds of our nation, and the conversation about representations of diversity in children’s literature is as unnecessary as the question of whether or not women should vote. Until that happens, there is no discussion more vital in the children’s book world than how to bring our industry at every level in line with America’s diversity.

I’ve written about this subject often over the last several years, for Publishers Weekly’s Shelftalker blog and the CCBC Diversity Committee blog, and while it seems we are, as a whole, talking a lot more about these issues within the field, and while there have been some increase in the number of mainstream children’s books featuring kids of color, we are still so far behind.

The problem is systemic and deeply rooted and requires change at every level, from the publishing houses to artists and writers to booksellers, educators, and [A]dults make all kinds of erroneous assumptions about what will and won’t interest children.consumers. We booksellers have more opportunity to effect change than we might imagine. People entrust us with book recommendations from individual purchases to helping plan school curricula on a grand scale, and this affords us the most amazing opportunity to be aware of what we are recommending. One of the challenges inherent in selling children’s books is that we usually have to go through one or two levels of gatekeepers to reach a book’s intended audience, the child reader. We are selling to teachers and librarians, and to parents and other adult family and friends.

In my seventeen years as a bookseller and three years as a school librarian before that, if there’s one thing I have noticed, it’s that we adults make all kinds of erroneous assumptions about what will and won’t interest children. Time and time again, at the bookstore and at children’s book festivals, I have observed white children picking up books with kids of color on the cover, and heard adults express surprise at the choice. “Are you sure you want that one?” they’ll ask. Or, “Wouldn’t you like this book instead?” It’s not the kids who are the problem. Kids really, really, really only care about a great story. In twenty years of connecting children with books they love, I have only seen one child—ONE!—balk at a book cover because the main character was a different race from her own. It’s the adults who underestimate a child’s ability or desire to see beyond race.

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Why Hasn’t the Number of Multicultural Books Increased In Eighteen Years?

Note: This post was originally posted in June 2013. An updated study with new statistics can be found here. The infographic below has also been updated.

Since LEE & LOW BOOKS was founded in 1991 we have monitored the number of multicultural children’s books published each year through the Cooperative Children’s Book Center’s statistics. Our hope has always been that with all of our efforts and dedication to publishing multicultural books for more than twenty years, we must have made a difference. Surprisingly, the needle has not moved. Despite census data that shows 37% of the US population consists of people of color, children’s book publishing has not kept pace. We asked academics, authors, librarians, educators, and reviewers if they could put their fingers on the reason why the number of diverse books has not increased. Continue reading

Where’s the Diversity? The Tony Awards Looks in the Mirror

Though we are a publisher of children’s books, part of our mission is to look at diversity issues with a critical eye and see whose stories are not being told. As part of that mission, over the next several months we will be looking at several different arenas and talking to experts to see if patterns of inequality repeat themselves in different places. We hope our research will cast a light on the challenges – and opportunities – facing women and people of color today.

The Diversity Gap in the Tony Awards infographic
The Diversity Gap in the Tony Awards infographic (click for larger image)

Since the Tony Awards will be presented on June 9, 2013, we decided to collect some data to see if a diversity gap exists in the theater. See our infographic above. While we cannot claim expertise in other fields outside of children’s books, we were fortunate to receive valuable insight from playwright/actor Christine Toy Johnson, who has spent the last fifteen years conducting dialogue with the entertainment industry to increase diversity in the theater and beyond.

Christine Toy JohnsonCHRISTINE TOY JOHNSON is an award-winning writer, actor, filmmaker, and advocate for inclusion. Member: BMI Workshop, Dramatists Guild, ASCAP, AEA, SAG-AFTRA, Asian guest blogger iconAmerican Composers and Lyricists Project (founder), executive board of Alliance for Inclusion in the Arts, elected leadership of Actors’ Equity Association (and co-chair of the union’s EEOC), founding steering committee member of AAPAC. {Read  more}

How old were you when you knew you wanted to perform onstage?
I can’t remember an age when I didn’t want to perform onstage. I was the kind of kid who made my parents’ holiday guests watch my dramatization of “The Twelve Days of Christmas” every year. I started working professionally (and joined Actors’ Equity Association) the summer I graduated from high school, and against all odds, I have made my living in the arts ever since, as both an actor and a writer.

Since you have been involved in the theater for so long, how have you seen the theater world change? Do you feel that the number of roles available to people of color has increased over the years?

Things have gotten better for people of color, for sure, but there is obviously a lot of room for improvement.

I want to preface all of this by saying that I can only really speak from the perspective of being an Asian American actor and writer. I can’t presume to know what it’s like to be African American, Latina, Native American, etc., but the stats I’ve included from AAPAC (see below) will be able to address this question from a more objective point of view.

Back in 1991, I got a chance to play Julie Jordan in a production of CAROUSEL at the Hangar Theatre in Ithaca, no asian american female playwright has ever been produced on Broadway. Ever.New York, which was a watershed moment for me. Not only was I shocked that I was being given the opportunity to audition (back then, a rare occurrence), but after I booked the job, working with a director and company of actors that supported me and believed in my ability to transform into a non-Asian character in a classic golden age musical gave me the confidence to go for and go on to play many, many more classic non-Asian leading lady roles. The power of encouragement and affirmation from your peers cannot be underestimated.

As a playwright/librettist/lyricist, I am also acutely aware of the number of writers of color that are being produced, which is a key part of this puzzle. (More on that in a later question.) Personally, I am conscious of always either including an Asian American actor in my written work or telling an aspect of an Asian American character’s story. I believe that the only way we’ll see our roles increase is if more of our stories are produced (written by and/or about us), and/or if more playwrights/directors/producers are open to having people of color play non-race specific roles they write/direct/produce.

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First Book, Stories for All Project Chooses LEE & LOW

In a groundbreaking announcement, First Book, a non-profit social enterprise launched the Stories for All Project. The project’s aim is to introduce a significant number of multicultural books into the hands of low-income children. LEE & LOW was chosen as one of two publishers to be a part of this endeavor and receive a $500,000 award.First Book

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Happy LGBT Pride Month!

June is LGBT Pride Month, and throughout this month people everywhere (including President Obama) have been celebrating the positive impact that lesbian, gay, bisexual, and transgender people have had in the world. The fight for LGBT rights has always been a matter of civil rights and equality, as our publisher noted in a recent post, and it’s nice that we live in an era when that’s acknowledged by so many people.

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Life, Liberty, and the Pursuit of Equality . . . For All

Throughout the history of the United States, equality for all people has been fought for and won time and time again. Thomas Jefferson wrote in the Declaration of Independence ”that all men are created equal,” and over time equal rights have been gradually extended to different groups of people. However, equality has never been achieved without heated debate, despite our country’s founding principle that all people are created equal in the first place.

The language used to seek equality has remained familiar over time. Posters demanding equal rights (pictured) contain messages we have all seen or heard. One of my theories is that since the human life span is finite, the message of equality has to be relearned by each generation as it comes to realize that more work needs to be done.

If humans lived longer, would full equality across racial and gender lines have been acquired by now? Ask yourself: Would women suffragists from the 1920s, who so anti-semitism is anti-mevehemently demanded the right to vote, think it was fine for African Americans to be denied this same right? It depends. My theory also includes the caveat that empathy for others does not always translate into citizens banding together for the greater good. Then again, the social evolution of the United States is progressing. This progression is the reason the language and message of equality remains relevant.

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DiYA March: New Diverse Middle Grade and YA Novels

Last month we announced that we’d be taking over Diversity in YA‘s roundups of new diverse middle grade and young adult books coming out each month, started by authors Cindy Pon and Malinda Lo. Using the DiYA definition, we define diversity for the purpose of this roundup as: (1) main characters or major secondary characters (e.g., a love interest or best friend kind of character) who are of color or are LGBT; or (2) written by a person of color or LGBT author.

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Announcing Our first DiYA Monthly Book Roundup!

Some of you may be familiar with Diversity in YA (DiYA), a lovely project started last year by authors Cindy Pon and Malinda Lo to bring more attention to diversity in children’s literature. During the year-long DiYA project, Cindy and Malinda were kind enough to do a roundup each month of new titles coming out that featured diversity, and they defined diversity in the following way: (1) main characters or major secondary characters (e.g., a love interest or best friend kind of character) who are of color or are LGBT; or (2) written by a person of color or LGBT author.

Since DiYA is on hiatus, Cindy and Malinda gave us their blessing to continue their monthly roundup. We all felt that it was important to keep the spotlight on diverse books, and we hope you’ll join us in that mission!

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This Week in Diversity: Prizes and Veterans

There’s been a lot of chatter about prizes lately!

The ALA has added another children’s book award—and more diversity. The new Stonewall Award for Children’s & Young Adult Literature Award will be recognizing books for young readers relating to the gay, lesbian, bisexual, and transgender experience.

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