I’ve long been a fan of mysteries. Trixie Belden was my BFF as a third and fourth grader. Nancy Drew was another favorite. Veronica Mars updated the teen sleuth idea, bringing the storytelling form to a new generation.
When I got the chance to work on Valynne Maetani’s Ink and Ashes, our new YA mystery which comes out in June, all of those mysteries and more were going through my mind. Claire, the main character, has the spunk and curiosity of Veronica Mars and all of her predecessors, but she’s also a little different. And to honor those differences in the editing process, I needed to refresh myself on what’s out there right now in the teen mystery/suspense genre, and the mystery genre in general. Continue reading →
The prequel to the award winning Killer of Enemies is finally here! Rose Eagle by Joseph Bruchac is Tu Books’ first e-novella.
Ten years before the events in Killer of Enemies, before the Silver Cloud, the Lakota were forced to work in the Deeps, mining for ore so that the Ones, the overlords, could continue their wars. But when the Cloud came and enveloped Earth, all electronics were shut off. Some miners were trapped in the deepest Deeps and suffocated, but the Lakota were warned to escape, and the upper Deeps became a place of refuge for them in a post-Cloud world. Continue reading →
In this series, Tu Books Publisher Stacy Whitman shares advice for aspiring authors, especially those considering submitting to our New Visions Award.
Last week on the blog, I talked about the importance of following submission guidelines and basic manuscript format. This week, I wanted to go into more detail about why a reader might stop reading if they’re not hooked right away. Here are some comments I’ve heard our readers make about manuscripts that didn’t hook them:
Story does not captivate in first few chapters
Boring
Writing not strong, or not strong enough to hold a young reader’s (or teen’s) interest
Parts of the writing are very strange (not in a good way)
Sounded too artificial
Reminds me too much of something that’s really popular
Too Tolkienesque or reliant upon Western European fantasy tropes
Concept cliche
How do you get your writing to have that “zing” that captivates from the very beginning? This is a little tougher than just following the directions—this is much more personal to each reader and each writer.
Is your writing boring readers?
There are a couple different issues in the list above. Some readers lost interest simply because they were bored. If you find yourself telling readers of your book, “Don’t worry! It gets really good in chapter five!” consider whether you’re starting your book at the right moment in time. The phrase “late in, early out” is one to remember—perhaps you don’t need all the information that leads to the “really good” part. Or perhaps you need to revise to make that information more interesting and faster paced.
I don’t recommend simply dumping this information into a prologue. Many young readers skip prologues entirely, and many more readers will lose interest if your prologue is long and boring—it’s the same principle as saying “just wait till chapter five!”
Stacy Whitman is Editorial Director and Publisher of Tu Books, an imprint of LEE & LOW BOOKS that publishes diverse science fiction and fantasy for middle grade and young adult readers. Parts of this blog post were originally posted at her blog, Stacy Whitman’s Grimoire.
Last week, I discussed why worldbuilding in speculative fiction can be so challenging for authors. How do we introduce a completely new world without infodumping or confusing readers? I gave some examples of worldbuilding done well in popular YA science fiction and fantasy: The Hunger Games, Divergent, and Twilight. In all these cases, the starting point is in some way relatable, or there is something about the character (Tris, Katniss) that hooks the reader. First pages should be character- and plot-driven, and worldbuilding should support rather than dominate. That gives these books an easy entry point and wide appeal.
There are three primary approaches to worldbuilding:
Reader learns world alongside character
Readers of Harry Potter, Percy Jackson, and Twilight figure out the world alongside the main character. Information is spooled out as the character learns it, so the reader doesn’t have to absorb everything at once. This is a low bar for entry, not requiring much synthesis of information. The character is almost a stand-in for the reader.
Exposition: questions raised, then answered
What about Hunger Games? Now it gets a little tougher. Suzanne Collins starts out with a perfectly relatable (if a tiny bit cliche) situation, the main character waking up and seeing her family. We get some exposition on Katniss’s family and the cat who hates her.
But it becomes non-cliche by page 2, when we learn about the Reaping. Ah! What’s the Reaping, you ask? We don’t know yet. Now the bar for entry is raised. There is a question, the answer for which you’re going to have to read further to find out. The infodumpage level is low, but there is still some exposition in the next few pages, letting us know that Katniss lives in a place called District 12, nicknamed the Seam, and that her town is enclosed by a fence that is sometimes electrified—and which is supposed to be electrified all the time.
Stacy Whitman is Editorial Director and Publisher of Tu Books, an imprint of LEE & LOW BOOKS that publishes diverse science fiction and fantasy for middle grade and young adult readers. Parts of this blog post were originally posted at her blog, Stacy Whitman’s Grimoire.
During the first week of June, I attended the Asian Festival of Children’s Content in Singapore. At the conference, I met writers from all over Asia and the Pacific, discussing craft, marketing their books at home and abroad, and translation. I even ran into Mark Greenwood and Frané Lessac, the Australian author/illustrator team behind the LEE & LOW picture book The Drummer Boy of John John. I enjoyed all the panels and the chance to see Singapore and meet so many people from the other side of the world—it gives you a perspective as an editor you might not otherwise have.
One of the panels I participated in was a First Pages event, in which I read about 20 first pages of picture books, middle grade, and YA novels and then gave feedback on whether the pages were working for me and if I’d want to read more.
A few weeks ago, Tu Books Publisher Stacy Whitman and author Joseph Bruchac (Killer of Enemies, Wolf Mark) answered questions about writing, publishing, science fiction and fantasy, and everything in between for a special Reddit Ask Me Anything (AMA) session. We rounded up their best advice for aspiring authors in Part 1. Today in Part 2, we share some of their advice on pitching, querying, and marketing:
Q: Joseph, when you sit down to write a query letter, what do you think the most important thing is to get across? I’ve heard a lot of advice, from getting the character’s voice in there to making sure the plot ends on a juicy cliffhanger. What do you do that made you so successful?
Joseph Bruchac: Writing a query letter is an art in itself. You need to get across both your idea and that you are the one who is qualified to write it.
Earlier this week our Tu Books publisher, Stacy Whitman, and author Joseph Bruchac (Killer of Enemies, Wolf Mark), took to Reddit for an “Ask Me Anything” (AMA) session answering questions about writing, publishing, science fiction and fantasy, and everything in between. In case you missed it (or, like me, you find Reddit overwhelming and scary) here’s some of the best advice that came out of that thread:
Q: What advice can you give for any starting writer? What is the most important thing for a writer to consider?
Stacy Whitman:
If you want to be a writer, you MUST read in the genre in which you want to write. And read a LOT!
Too many beginning writers who try to pitch books to me at conferences respond poorly when I ask them what they’ve read in the genre (because their manuscript or pitch makes it clear they have no idea what’s going on in the genre right now): they either only name books from 30 or even 50 years ago (“I love Heinlein!”) or they actually, when it comes to YA, say things like, “Oh, I don’t read that stuff.” If you wouldn’t read it, don’t write it.
I had two Korean roommates in college. Ever since then, I’ve said, “Someday I will learn Korean and visit Hyun Mi in Korea.” Last year, when I made new Korean friends here in New York City, I decided that “someday” needed to finally be today. I started to learn Korean from a book and a podcast, got addicted to Korean dramas, and this May, finally made that trip to Korea I’ve been meaning to make for over a decade.
On my way to Korea, I had a 7-hour layover in London, another place I’ve never seen in person before. I got to meet Cat Girl’s Day Off author Kimberly Pauley, who showed me 221B Baker St. and the whole area around Parliament—Big Ben, the London Eye, and Westminster Cathedral, for example (the outside—no time for the inside), and then we finished off our whirlwind tour with a full English breakfast.
(center) Kimberly Pauley and Stacy Whitman at Paddington Station with Paddington Bear; other sights in LondonA subway entrance in Busan, South Korea
I didn’t get to visit my old roommate, but I did visit my new friend from New York, who had moved back to Seoul. I stayed with her and her family in Mokdong, a suburb of Seoul, which I loved not only because I was visiting my friend, but also because I got to experience Korean culture from a closer point of view, not as a tourist in a hotel but as a guest. I got to do normal everyday things with my friend, like going to the grocery store and post office, to the bookstore and to the repair booth on the corner run by the ajussi who might know how to fix my purse (sadly, he didn’t have a good solution). I was greatly impressed with the public transportation system, which got me everywhere I needed to be, and often had malls in the stations!
I also met up with the Talk to Me in Korean crew (from whom I’m learning Korean), who happened to have a meetup when I was in Korea. Here I am with Hyunwoo Sun, the founder of Talk to Me in Korean, and his wife, Mi Kyung. A few of us went out for a kind of fusion chicken, the name of which I’ve forgotten, and then patbingsoo—sweet red beans over shaved ice—after the meetup of over a hundred TTMIK listeners.
Meet-up with Talk to Me in Korean teachers and students
I love Korean dramas, which are often historical, so of course I wanted to see places like National Treasure #1, the Namdaemung Gate (officially known as Sungnyemun), which burned down in 2008 and was just recently restored and reopened, and Gyeongbokgung Palace in the heart of Seoul. The folk museum was fascinating, letting me see Korean history in person—for example, they had a living replica of a Korean street that brought you forward in time from the Joseon era to the 1990s.
A few of us made it out for the Brooklyn Book Festival this weekend, so I thought I’d share a few shots of the event. It was a bright, beautiful fall day, and it was great to see so many people come out to celebrate reading (a record 40,000, according to this article).
Joseph Bruchac, author of Wolf Mark, Buffalo Song, and several other titles, was on a panel about sports stories for boys with Jon Scieszka and Gordon Korman, moderated by Lisa Yee. They were hilarious!
From L: Lisa Yee, Jon Scieszka, Joseph Bruchac, and Gordon Korman
A few weeks ago we did a giveaway to celebrate the release of Cat Girl’s Day Off and asked readers what they’ve always wanted to ask their cats. We pulled a few of their questions and asked our resident cat translator, Natalie Ng (a.k.a. Cat Girl), to get us some answers. Straight from the cat’s mouth:
What’s the secret to always landing on your feet?
Rufus Brutus the Third: You point them towards the floor. What a silly question.
What’s the most annoying thing your pet parent does?
PD: It’s hard to pick just one thing, don’t you think? There’s the nasty medicine they make me take, for one. Not to mention the dry cat food they give me. They only give me wet food once a week, like I need to be on a diet. Ian does sneak me food from the table though, so he makes up for it a bit. Oh, and trying to keep me in the house all the time! A cat’s gotta roam, you know?
Stacy Whitman is Editorial Director and Publisher of 
A few weeks ago, Tu Books Publisher Stacy Whitman and author Joseph Bruchac (
A few weeks ago we did a giveaway to celebrate the release of