Category Archives: Educator Resources

Lesson plans, activity guides, and helpful tips from our literacy specialist and guest educators.

“What does this book have to do with me?” Why Mirror and Window Books Are Important for All Readers

guest bloggerKatie CunninghamGuest blogger Katie Cunningham is an Assistant Professor at Manhattanville College. Her teaching and scholarship centers around children’s literature, critical literacy, and supporting teachers to make their classrooms joyful and purposeful. Katie has presented at numerous national conferences and is the editor of The Language and Literacy Spectrum, New York Reading Association’s literacy journal. 

When we lived in Brooklyn, I knew my sons were growing up in a diverse community. They understood that people have different skin colors. That people speak different languages. That people eat different foods. That people believe different things. That we all share a common humanity. That life is full of complexity.

Now we live in the woods and appreciate the quiet of country living but this is far from a diverse community. For my boys, there is greater diversity in the pages of a book than on the streets of their town. Multicultural children’s literature is a doorway into greater understanding that their cultural background is not the only cultural background. That their way of speaking is not the only way of speaking. That their point of view is not shared by everyone.

When we open a book and start to read a story, we use our imaginations to walk through whatever world the author has created. Children’s literature is full of stories about boys and girls that look like my children. Rudine Sims Bishop uses the terms mirror books and window books to describe how we both see ourselves and see others when we read literature. The characters my sons encounter are often mirrors and they find their life experiences reflected in the books they read. Children from dominant social groups have always found their mirrors in books, but do they have enough access to high-quality stories that represent other cultural backgrounds in a positive way?

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A More Diverse Appendix B

Please find our most updated post, “A More Diverse Appendix B” here.

In this blog post, Resident Literacy Expert Jaclyn DeForge shares a multicultural supplement to the Common Core’s Appendix B list.

When the Common Core Standards were created, the authors included a list of titles in Appendix B that exemplified the level of text complexity (found in Appendix A) and inherent quality for reading materials at each grade level.  This list was intended as a comparative tool, as a way for teachers and administrators to measure current libraries against country-wide expectations for rigorous literature and informational text.  Since its publication, this list, and the titles included and omitted, have created quite a bit of controversy.

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What does close reading look like in Fifth Grade?

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Over the past several weeks, I’ve been modeling how to do a close reading at several different grade levels. To close out the series: Close Reading in Fifth Grade using the X level text Under the Mesquite by Guadalupe Garcia McCall.

One way to structure close reading questioning is to use the format laid out by the Institute for Learning of the University of Pittsburgh. Under their framework, students read the text selection four times: first, to get the gist; second, to find significant moments or ideas; third, to interpret the ideas in the text; and finally, to analyze the author’s methods (craft). Here’s an example of how to plan out your questions for close reading of the first poem of Under the Mesquite, entitled “the story of us.”

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What’s in your classroom library? Rethinking Common Core Recommended Texts

guest bloggerKatie CunninghamGuest blogger Katie Cunningham is an Assistant Professor at Manhattanville College. Her teaching and scholarship centers around children’s literature, critical literacy, and supporting teachers to make their classrooms joyful and purposeful. Katie has presented at numerous national conferences and is the editor of The Language and Literacy Spectrum, New York Reading Association’s literacy journal.

We live in an increasingly diverse society. Nowhere is this more evident than in classrooms, in both urban and suburban schools.  Nationally, our classrooms are almost 45% non-White and the trend toward greater diversity is expected to continue. Our classrooms reflect this trend, but our classroom libraries do not. The New York Times found that despite making up about nearly a quarter of the nation’s public school enrollment, young Latino readers seldom see themselves in books. Those of us in schools working with children from minority backgrounds know this to be true as we scan our bookshelves and find protagonists that are overwhelmingly white and living in suburban, privileged settings. The Cooperative Children’s Book Center found that in 2011, only 6% of children’s books featured characters from African American, American Indian, Asian Pacific/ Asian Pacific American, or Latino backgrounds.

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What does close reading look like in Fourth Grade?

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Etched in Clay written and illustrated by Andrea ChengOver the past several weeks, I’ve been modeling how to do a close reading at several different grade levels. Next up: Close Reading in Fourth Grade using the T level text Etched in Clay: The Life of Dave, Enslaved Potter and Poet written and illustrated by Andrea Cheng, out this January!

One way to structure close reading questioning is to use the format laid out by the Institute for Learning of the University of Pittsburgh. Under their framework, students read the text selection four times: first, to get the gist; second, to find significant moments or ideas; third, to interpret the ideas in the text; and finally, to analyze the author’s methods (craft). Here’s an example of how to plan out your questions for close reading of the introduction through the first 13 pages of Etched in Clay:

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What does close reading look like in Third Grade?

Jaclyn DeForge thumbnailJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Over the past several weeks, I’ve been modeling how to do a close reading at several different grade levels. Next up: Close Reading in Third Grade using the O level text  Baseball Saved Us by  Ken Mochizuki and illustrated by Dom Lee.

One way to structure close reading questioning is to use the format laid out by the Institute for Learning of the University of Pittsburgh.  Under their framework, students read the text selection four times: first, to get the gist; second, to find significant moments or ideas; third, to interpret the ideas in the text; and finally, to analyze the author’s methods (craft).  Here’s an example of how to plan out your questions for close reading of just the first 8 pages of Baseball Saved Us:

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Close Reading in the Lower Elementary Classroom: compelling or counterproductive?

Jaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Last Monday, my post on close reading in the second grade classroom inspired some great discussion in the comments section from Lee & Low authors Sally (Derby) Miller (author of My Steps) and Edith Hope Fine (author of our mentor text for the post, Under the Lemon Moon). Click here to read both my post and their thoughts in full.

Something Sally Miller brought up in her comment really stuck with me.  On what she imagines a close reading experience to be in a lower elementary classroom:

“We are talking about very young children–say ages five to eight–who have just heard or read a short, illustrated text. Some of them liked it, some of them loved it, and some of them waited patiently for a change in activity so that they could move around the classroom instead of being required to sit and absorb the story. Very well, it has ever been thus in public schools. But now…now they are expected to stay focused on the story, to decide why the author wrote it the way he did, why he used certain words, why he chose to set the story in, say, another country instead of this one. It’s not a story any more, it’s a lesson.”

My Steps by Sally DerbyThe adoption of the new Common Core Standards has certainly not come without controversy.  One of the purposes of the new standards, from what I understand, is to begin to address large gaps in reading comprehension and performance that we’re seeing in high schools across the country. SAT scores for the high school class of 2012 indicated that a whopping 57% (!!!) of test takers “did not score high enough to indicate likely success in college, according to the College Board.” (Layton, Lyndsey and Brown, Emma; Washington Post; Sept. 24, 2012). 

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What does close reading look like in Second Grade?

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Before I start discussing close reading in the second grade classroom, I want to take a minute to acknowledge educators and students across the Northeast, who over the past two weeks have dealt with not just superstorm Sandy, but a Nor’easter!  Some schools sustained significant flooding and damage, or have classrooms without heat or power.  And in some areas, even though the children are back in the classrooms, after a long day teachers and students head home to clean and repair damage sustained to their own homes and communities.  And last week, they did that in the wind and snow.  If that’s not dedication, I don’t know what is.  My thoughts are with everyone who continues to be affected by this awful streak of weather.

Now, back to our regularly scheduled programming.  Over the next several weeks, I’ll be modeling how to do a close reading at several different grade levels.  Last week, I wrote about close reading in first grade. Next up: Close Reading in Second Grade using the L level text  Under the Lemon Moon by  Edith Hope Fine and illustrated by Rene King Moreno.

In terms of student questioning, start general and move up Bloom’s Taxonomy by gradually increasing the rigor.  For example, say you want to focus your close reading of Under the Lemon Moon on author’s craft, specifically focusing on language and word choice in just the first six pages of the story  (2nd grade reading standard for literature, Craft and Structure, strand 4,  AND 2nd grade language standards, Vocabulary Acquisition and Use, strands 4-6 from the Common Core Standards).  Here are the questions I would ask:

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Hurricane crafts: how to make a paper mask

The Lee & Low office is closed today because of the storm, and our thoughts are with everyone affected by Sandy and the rain, wind, and flooding that she brought with her.

Drummer Boy of John John illustrator Frané Lessac has shared instructions on how to make masks for Halloween and Carnival, but they work just as well as a Hurricane craft for those still cooped up and looking for something to do, as most things can be found around the house or replaced easily with household items.

Enjoy, and stay safe and dry!

Materials:

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What does close reading look like in First Grade?

Jaclyn DeForge thumbnailJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.

Over the next several weeks, I’ll be modeling how to do a close reading at several different grade levels.  Last week, I wrote about close reading in Kindergarten. Next up: Close Reading in First Grade using the H level text Pop Pop and Grandpa by Mary Dixon Lake and illustrated by Christiane Kromer.

Pop Pop and Grandpa

In terms of student questioning, start general and move up Bloom’s Taxonomy by gradually increasing the rigor.  For example, say you want to focus your close reading of Pop Pop and Grandpa on the setting and events of the story (1st grade Literature Standard, Integration of Knowledge and Ideas, strand 7, from the Common Core Standards).  Here are the questions I would ask:

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