Illustrator Shadra Strickland Takes Us Behind the Art of Sunday Shopping

shadra stricklandSunday Shopping, our new spring title released this month, is a whimsical and fun-filled story of a young girl and her grandmother who use their big imaginations to go “shopping” through the Sunday paper. We asked illustrator Shadra Strickland to take us behind the scenes for creating the art work used in Sunday Shopping.

Making the Art for Sunday Shopping

Making the art for Sunday Shopping was almost like making two different books. The two art styles were distinctly different. The illustrations of Evie and grandma in bed were painted in watercolor, much like the paintings I made for Bird. The second set of images were made with a combination of line drawings, acrylic paintings, and assembled digitally.

The most challenging part of making the art for Sunday Shopping, was making sure that all of Evie and grandma’s “bought” items were consistent in all of the small paintings. I had to draw the same small bits of paper in every scene as the wall of items grew and grew.

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Once the watercolors were done, I drew all of the Evie, grandma, and cat characters on pieces of Bristol board. They were all painted in the same week to make sure that the clothes and skin tones were consistent. Even then, some colors had to be adjusted after I scanned them into the computer.

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Once the characters were all done, I made drawings of the imaginary world with a wax pencil (also known as a China Marker). I drew on sheets of smooth plastic like drawing vellum. Those drawings were then scanned into the computer.

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Next, I painted different pieces of newspaper in different colors based on all of the elements I needed in the book. Some colors were adjusted digitally, but not many. Most of the paper was used as it was painted.

sunday shopping illustrations_5After everything was scanned in, I began to “cut” shapes out in photoshop and compose them within the line drawings.

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The last step was digital retouching. I had to go back into a few faces and digitally paint over some faces to make sure that skin tone was consistent throughout.

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My wonderful editor checked all of the art for consistency, and after a few passes back and forth, we made sure all of the elements were lined up throughout.

Once all of the art was assembled, I worked closely with our designer to discuss page color and type design for the book. My favorite thing about making books with Lee and Low is how truly collaborative the process is!

You can learn more about Shadra Strickland and her creative process on her website.

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