Tag Archives: Science Fiction/Fantasy

Design 101: How a Book Cover Gets Made, Part II

In the first part of our guest blog, Tu Books Editorial Director Stacy Whitman and designer Isaac Stewart discussed how they came up with the cover concept for the novel Vodník. In part II, they share covers they considered and explain how they came up with the final design.

Isaac: By the time we chose a direction for the cover, I had created something like twenty-two thumbnails. I’ll admit, I went a little overboard, but I really wanted to give Vodnik the attention it deserved. And honestly, it was hard work finding the desired balance between ominous and whimsical.

COVER 1: THE HORROR

Vodnik cover concept I

Isaac: This cover has a lot going for it, despite my getting the color of the vodník’s arm wrong. Initially, I wanted to have a hand thrust up out of the water, a crushed teacup in its grasp. As I searched for images that matched, I found this one and decided it played off the ominous feeling I was hoping for. I tried the whole fire and water dichotomy with the colors of the title and byline, and was hoping that the text itself would carry the Eastern Block feel. The large, in-your-face title was a precursor to what we wound up using on the final cover.

The biggest problem with this cover was it looked like a horror novel, almost completely ignoring the fantasy and whimsy that are also big parts of the story. To tell the truth, it didn’t even look like a YA book.

Stacy: Yeah, this one just wasn’t working for me. It looked too horror-y, and didn’t have the right sensibility that I was going for. Which brought us to…

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Design 101: How a book cover gets made

In this two-part guest blog post, designer Isaac Stewart and Tu Books Editorial Director Stacy Whitman discuss how they came up with the final cover for our new YA fantasy, Vodník:

Isaac: Before brainstorming ideas for a book design, I usually get a few pieces of key information from the editor:

1.     What age-range and demographic do we want the book to target?

2.     What would the editor like the cover to convey?

3.     What has the author said they would like to see on the cover?

Here’s how Stacy answered:

1.     The book’s design should appeal to both female and male tweens and teens, but should specifically target the male teen.

2.     Stacy wanted a cover that felt ominous, fantastical, with a dash of whimsy.

3.     Bryce [Moore, the author] specifically mentioned that he found covers with bold shapes and colors both beautiful and striking. But if we decided to go for a more photographic cover, he wanted to see the vodník statue or Trenčín castle.

Trencin Castle, Slovakia
Trenčín Castle

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Cover Reveal, Part I: VODNÍK

It’s HERE! We are super excited to share the cover of Vodník by Bryce Moore, out this March from our Tu Books imprint. About the book:

Short version: Slovakian fairy tales! Roma characters! CASTLES!!

Long version: Vodník is a YA contemporary fantasy about Tomas, a Roma teen who moves with his family from the US back to Slovakia and discovers that the folk tale creatures he befriended as a young boy are more dangerous than he knew, especially a vodník who has begun drowning local townspeople (deaths for which Roma like Tomas are blamed). When he learns that his own cousin’s life is in danger, Tomas makes a deal with Death to save her – but can anyone cheat death forever?

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Coming Soon: Tu Books!

We are THRILLED, thrilled I say, to unveil the covers of our first three Tu Books! Tu Books is our newest imprint and will be publishing multicultural middle grade and young adult science fiction, fantasy, and mystery. We now introduce our Fall 2011 launch list—drumroll, please:

Tankborn, by Karen Sandler

Tankborn coverBest friends Kayla and Mishalla know they will be separated when the time comes for their Assignments. They are GENs, Genetically Engineered Non-humans, and in their strict caste system, GENs are at the bottom rung of society. High-status trueborns and working-class lowborns, born naturally of a mother, are free to choose their own lives. But GENs are gestated in a tank, sequestered in slums, and sent to work as slaves as soon as they reach age fifteen.

When Kayla is Assigned to care for Zul Manel, the patriarch of a trueborn family, she finds a host of secrets and surprises—not least of which is her unexpected friendship with Zul’s great-grandson. Meanwhile, the children that Mishalla is Assigned to care for are being stolen in the middle of the night. With the help of an intriguing lowborn boy, Mishalla begins to suspect that something horrible is happening to them.

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This Week in Diversity: Prizes and Veterans

There’s been a lot of chatter about prizes lately!

The ALA has added another children’s book award—and more diversity. The new Stonewall Award for Children’s & Young Adult Literature Award will be recognizing books for young readers relating to the gay, lesbian, bisexual, and transgender experience.

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This Week in Diversity: Memorial Day Edition

Book Expo America has finished and Memorial Day is almost here, but in between, here’s your weekly batch of diversity reading!

Looking back to the era of Civil Rights protests and Civil Rights legislation, Breach of Peace presents some amazing portraits of some of the 1961 Freedom Riders—with their mugshots, recent interviews, and recent photos. Some amazing stories here. Meanwhile, an editorial at the Washington Post looks at the 1964 Civil Rights act and government support of private segregation.

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Mixed Messages

Recently, I’ve read a couple books set in fantasy worlds that reverse the skin-tone power dynamic of our world: where dark-haired and dark-skinned people oppress and discriminate against paler, blonder folk. Both are fine books—The Shifter by Janice Hardy and Stealing Death by Janet Lee Carey—and neither oversimplify race relations or relies on our constructs of black and white in describing their characters and ethnic groups, but it does make me wonder about the message we’re sending to minority kids through books like these.

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