Tag Archives: guided reading

Reading Paired Texts to Increase Student Engagement

In the fall of 2012 a news story emerged that astronomers had discovered a planet largely made out of diamond. Third grade at my school spent the first two quarters studying the solar system; therefore, this news was received with irrepressible glee in my classroom. Although the media nickname “Lucy” was lost on my students (as in the Beatles’ “Lucy in the Sky with Diamonds”), the wonderment and rejuvenated commitment to the content were obvious.

Seeing that scientists were still studying and discovering facts about our solar system and distant others was exciting to my students and made them feel like they were on the frontier learning alongside real astronomers. Pairing the news article with The Magic School Bus: Lost in the Solar System spurred very creative journal entries throughout the unit, including envisioned future discoveries of all sorts of substances for planets: kitten fur, gold, bubbles.

Incorporating current events and news stories into the classroom can engage students with a renewed sense of purpose and interest. Pairing a news article with a book on a similar topic or theme offers students greater context and a sense of relevancy for the content they are learning, and perhaps a jolt to the creeping apathy over a curriculum students had little input in selecting.

Seven Miles to Freedom (1)So, what does it look like to use paired texts in the classroom?

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How to Teach Close Reading Using a Recipe

What happens if we don’t follow a recipe? Potentially, a disaster. Recipes require careful reading and we can literally taste the consequences of our failure to do so. In this way, a recipe is fantastic for small group instruction, such as guided reading, and for parent-child practice because it is grounded in real world applications and requires multiple re-readings to grasp the information.

For guided reading, there were only a dozen or so book sets that I used with my students because those available to me were dated in content (think: Pluto is still a planet) and image, worn out from being shared across the whole school, and unreliable in student engagement. On one of my monthly trips to a Friends of the Library book sale, where I often scrounged, hunted, and bargained, I discovered a milk crate full of the children’s literary magazine, Cricket. As these were used periodicals, they were available for free. I remember the award-winning magazine as a child myself and quickly discovered that the wide variety of high-quality texts would be perfect for guided reading, including the recipes and craft instructions.

Recipe post (3)Young readers can use recipes to analyze an author’s choices, such as the order of steps, choice of ingredients, and ingredient amounts. Recipes provide hands-on experience at home while building critical background schema and additional practice with a nonfiction text. Recipes are great for teaching close reading because they:

  • naturally engage students with the content (yum!)
  • create real-world connections for why we learn to read and the skill of close reading (look—even adults do it!)
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Strategies For Teaching English Language Learners—Part 3: Teaching Vocabulary In Layers

Jill_EisenbergJill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

The U.S. Department of Education’s Institute of Education Science (IES) and What Works Clearinghouse (WWC) released the latest educator’s guide to present best instructional practices for English Language Learners.

Although we cannot explicitly teach all academic and content-specific words our students will need to know in their educations and careers, we can be strategic in how we teach 5-8 words a week so they can apply these word strategies to new words they come across on their own.

Last week I applied the guide’s recommendations on how to choose an appropriate text and vocabulary words for English Language Learners and I modeled it with the Lee & Low informational text, Drumbeat In Our Feet.

I will continue to focus on the guide’s first recommendation: Teach a set of academic vocabulary words intensively across several days using a variety of instructional activities.

Drumbeat In Our Feet
Drumbeat In Our Feet

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Beyond “Did you know…”: Teaching Geo-Literacy Using the Vanishing Cultures Book Series

JillJill_Eisenberg Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

Vanishing Cultures: Mongolia
Vanishing Cultures: Mongolia

Last week on the blog we spotlighted the work of Jan Reynolds, an author and explorer who has written nonfiction for young readers about cultures across the globe. If we had read the Vanishing Cultures series when I was a classroom teacher, my students would have been competing with each other over who knew the most outrageous fact. Did you know the Tiwi, an aboriginal tribe from an island off the coast of Australia, eat mangrove worms fresh? Did you know the Inuit from the Hudson Bay build rock piles that are stacked to look like men in order to scare caribou toward the real Inuit hunters?

My students loved to play the “did you know…” game. That became a popular sentence starter in our classroom. Students would scramble for the latest book or periodical on animals, prehistoric times, and exotic locales. The peregrine falcon, megalodon, and the giant panda were unshakable favorites.

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Michelle Obama & Su Dongpo: A Character Analysis with Bloom’s Taxonomy

Jill_EisenbergJill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

First Lady Michelle Obama travels to China this week from March 19-26 and will be focusing on the power and importance of education. In an open letter to American students, the First Lady writes, “During my trip, I’ll be visiting a university and two high schools in Beijing and Chengdu (which are two of China’s largest cities). I’ll be talking with students about their lives in China and telling them about America and the values and traditions we hold dear. I’ll be focusing in particular on the power and importance of education, both in my own life and in the lives of young people in both of our countries.”

We at Lee & Low Books wish we could join the First Lady, but since we can’t this time around, we will be reading the biography of one of China’s greatest statesmen, poets, and humanitarians, Su Dongpo. This scholar is a shining example of how persistence and dedication to one’s studies lead to achievement beyond the classroom and enable one to affect meaningful change.

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Compare and Contrast Common Core Lesson Plan for Fifth Grade

How to Compare & Contrast 5th GradeHow We Are Smart is a rich text to explore compare and contrast within the same book. Particularly for fifth graders and students in middle school, the historical figures featured within these pages offer engaging material for young minds ready to tackle complex subjects that extend beyond personal experiences, such as prejudice, racism, and sexism.

I have created sample questions to teach towards and check mastery of each of the three Common Core categories. These are by no means the only questions to ask in each category, but these provide an overview of the progression in question complexity and mastery of the texts.

By creating a range of compare and contrast questions across the standards, we are able to differentiate for students within a class, provide extension opportunities for ready learners, or move the whole class from literal- to higher-level thinking over the course of several lessons.

Text:

How We Are Smart
How We Are Smart

How We Are Smart (level: T)

Why: I have chosen this text because the content requires readers to take on diverse perspectives and examine human problems related to hardship and identity. How We Are Smart presents mature themes and problems of society, not just individual character struggles, which makes it appealing to and rigorous for preadolescents. Additionally, the author’s choice to structure the profiles and biographical information in a unique format lends itself to extensive questions about craft and structure.

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How To Compare And Contrast With The Common Core In First Grade

Jill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

Common Core- How to Compare and Contrast in GradeThrough elementary school, readers will learn to compare and contrast within and between texts. By first grade, readers can practice comparing two texts as they continue to learn decoding, sight words, and vocabulary. Comparing and contrasting are useful because teachers can assess students’ abilities at close reading, comprehension, and interpretation, as well as expose even new readers to deeper interactions with a text.

Below is a comparison of two books of similar topic and genre. I have created sample questions to teach towards and check mastery of each of the three Common Core categories. These are by no means the only questions to ask in each category, but these provide an overview of the progression in question complexity and mastery of the texts.

By creating a range of compare and contrast questions across the standards, we are able to differentiate for students within a class, provide extension opportunities for ready learners, or move the whole class from literal- to higher-level thinking over the course of several lessons.

Texts:

Twister's Tricks
Twister’s Tricks

Twister’s Tricks (level: F)

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Unpacking the Common Core Standards Horizontally: Informational Text

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators. 

Over the past few weeks, I’ve been talking about the importance of looking at the standards horizontally as well as vertically, and in this final installment in the series, I’m going to do just that as I walk you through what effective close reading questioning can look like, unpacking one strand at a time using texts of varying complexities.  Last up:

READING STANDARDS FOR INFORMATIONAL TEXT K-3, Craft and Structure, Strand 5

LIVING-IN-AN-IGLOO

In Kindergarten, the strand reads:  Identify the front cover, back cover, and title page of a book.

Example text:  Living in an Igloo by Jan Reynolds

genre: informational text

Strand-specific questions:

  • Point to the front cover of the book.  What information can you find on the front cover of the book?  Why is that information important?
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Unpacking the Common Core Standards, Part 3: Thinking Horizontally

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators. 

Over the past few weeks, I’ve been talking talked the importance of looking at the standards horizontally as well as vertically, and in today’s post, I’m going to do just that as I walk you through what effective close reading questioning can look like, unpacking one strand at a time using texts of varying complexities.  On the docket for today:

Reading Standards for Literature K-3, Craft and Structure, Strand 4

Pencil-Talk-And-Other-School-Poems cover

In Kindergarten, the strand reads:  Ask and answer questions about unknown words in a text.

Example text: Pencil Talk and Other School Poems by Anastasia Suen & illustrated by Susie Lee Jin

genre: poetry

Strand-specific questions:

  • Look at the poem “Pencil Talk.” Which words were tricky for you to sound out?  Did you come across any words where you weren’t sure what they meant?***What does the word scratch mean? Bonus:  What does the poet mean when she writes “Pencils can talk…but we can’t!
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Unpacking the Common Core Standards, Part 2: Thinking Horizontally

Jaclyn DeForgeJaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.  

Last week, I talked about the importance of looking at the standards horizontally as well as vertically, and over the next few weeks, I’m going to do just that as I walk you through what effective close reading questioning can look like, unpacking one strand at a time using texts of varying complexities.  Next up:

Reading Standards for Literature K-3, Craft and Structure, Strand 6

Unpacking the Common Core Standards

In Kindergarten, the strand reads:  With prompting and support, name the author and illustrator of a story and define the role of each in telling the story.

Example text:  Elizabeti’s Doll by Stephanie Stuve-Bodeen and illustrated by Christy Hale

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