Tag Archives: Educators

Using Infographics in the Classroom to Teach Visual Literacy

img_1587Jill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

Infographics’ format and economy of words make infographics engaging and accessible to children, reluctant readers, visual learners, and English Language Learners. As infographics contain multiple layers of information, they are a challenging medium for students to practice inferences and interpretation. Lee & Low Books’ infographic series on the diversity gap in major spheres of influence is a valuable vehicle to build students’ visual literacy skills and understanding of diversity. The following discussion questions and suggested activities were created based on the Diversity Gap in the Academy Awards infographic, but these can be applied to the rest of the series.

Infographic: The Diversity Gap in the Academy Awards
Infographic: The Diversity Gap in the Academy Awards (click to enlarge)

Discussion questions to consider with your students:

  1. What patterns do you see? What trends do you see? How are the different charts related?
  2. What is the central idea of this infographic? How do the words, phrases, and visuals interact to affirm the central idea?
  3. Based on the infographic, what does “diversity gap” mean in terms of the Academy Awards?
  4. What might the author’s purpose be in choosing this medium to convey the central idea (to shame, inspire, shock, etc.)?

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Compare and Contrast Common Core Lesson Plan for Fifth Grade

How to Compare & Contrast 5th GradeHow We Are Smart is a rich text to explore compare and contrast within the same book. Particularly for fifth graders and students in middle school, the historical figures featured within these pages offer engaging material for young minds ready to tackle complex subjects that extend beyond personal experiences, such as prejudice, racism, and sexism.

I have created sample questions to teach towards and check mastery of each of the three Common Core categories. These are by no means the only questions to ask in each category, but these provide an overview of the progression in question complexity and mastery of the texts.

By creating a range of compare and contrast questions across the standards, we are able to differentiate for students within a class, provide extension opportunities for ready learners, or move the whole class from literal- to higher-level thinking over the course of several lessons.

Text:

How We Are Smart
How We Are Smart

How We Are Smart (level: T)

Why: I have chosen this text because the content requires readers to take on diverse perspectives and examine human problems related to hardship and identity. How We Are Smart presents mature themes and problems of society, not just individual character struggles, which makes it appealing to and rigorous for preadolescents. Additionally, the author’s choice to structure the profiles and biographical information in a unique format lends itself to extensive questions about craft and structure.

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How To Compare And Contrast With The Common Core In First Grade

Jill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

Common Core- How to Compare and Contrast in GradeThrough elementary school, readers will learn to compare and contrast within and between texts. By first grade, readers can practice comparing two texts as they continue to learn decoding, sight words, and vocabulary. Comparing and contrasting are useful because teachers can assess students’ abilities at close reading, comprehension, and interpretation, as well as expose even new readers to deeper interactions with a text.

Below is a comparison of two books of similar topic and genre. I have created sample questions to teach towards and check mastery of each of the three Common Core categories. These are by no means the only questions to ask in each category, but these provide an overview of the progression in question complexity and mastery of the texts.

By creating a range of compare and contrast questions across the standards, we are able to differentiate for students within a class, provide extension opportunities for ready learners, or move the whole class from literal- to higher-level thinking over the course of several lessons.

Texts:

Twister's Tricks
Twister’s Tricks

Twister’s Tricks (level: F)

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How to Compare and Contrast with the Common Core in Second Grade

second grade compare and contrastLast week, I presented how to compare and contrast in third grade. In order for second-grade students to be prepared for the increase in rigor and expectations of a formal testing grade the following year, students should practice compare and contrast. This is a complex task, but enables students to demonstrate close reading, comprehension, and interpretation of texts.

Below is a comparison of two books by the same author (Monica Brown) and with the same character (Marisol McDonald). I have created sample questions to teach towards and check mastery of each of the broad three Common Core categories. These are by no means the only questions to ask in each category, but these provide an overview of the progression in question complexity and mastery of the texts.

By creating a range of compare and contrast questions across the standards, we are able to differentiate for students within a class, provide extension opportunities for ready learners, or move the whole class from literal- to higher-level thinking over the course of several lessons.

Texts:

Marisol McDonald Doesn’t Match/Marisol McDonald no combina (level: L)

Marisol McDonald Doesn't Match

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Whitewashing Book Covers: A Trip to Barnes & Noble Part II


allie jane bruceAllie Jane Bruce
is Children’s Librarian at the Bank Street College of Education. She Guest Bloggerbegan her career as a bookseller at Politics and Prose bookstore in Washington, DC, and earned her library degree from Pratt Institute. She tweets from @alliejanebruce and blogs at Bank Street College.

Part 1 | Part 2

Students contemplated book covers
Students contemplated book covers

Over the course of the last academic year, I co-taught a year-long unit that allowed a sixth-grade class to explore prejudices in books and the book industry. After studying how book covers and content can marginalize groups (we studied treatments of race, ethnicity, gender, body image, sexuality, class, ability, and more), we took a field trip to Barnes & Noble—by far my favorite piece of the project. The kids exited the store with steam issuing from their ears.

Liar
Society is almost afraid of putting a dark-skinned or Asian character on the cover of a book.

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Whitewashing Book Covers: What Do Kids Think? Part I

allie jane bruceAllie Jane Bruce is Children’s Librarian at the Bank Street College of Education. She Guest Bloggerbegan her career as a bookseller at Politics and Prose bookstore in Washington, DC, and earned her library degree from Pratt Institute. She tweets from @alliejanebruce and blogs for Bank Street College.

Part 1 | Part 2
In my first year as Children’s Librarian at Bank Street, I worked with two teachers on a project that allowed sixth-graders to explore implicit and explicit biases in publishing. Using book covers as a starting point for discussion, we engaged in conversations about identity, race, ethnicity, sexual orientation, gender, body image, class, and ability as they relate to books and beyond.It started when my co-worker, Jamie Steinfeld, asked me to booktalk some realistic fiction for her sixth-grade Humanities class. A girl asked a question about Return To Sender“Why is there a bird on the cover?”—and we were off. Good question! Yes, the hardcover does have a bird. And does anyone notice anything about the paperback? See how the boy has his face turned toward us, and we can see his blond hair, but the girl from Mexico has her back to us and we can’t tell what race she is? What’s up with that?

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Integrating Reading, Writing, Speaking, and Listening in the Classroom

Katherine Aliguest bloggerKatherine Ali is a dual-certified elementary and special education teacher. She recently graduated as a literacy specialist with a Masters in Science from Manhattanville College. She has experience teaching internationally in northern China and now teaches in the Bronx, NY. 

There is a natural interplay of reading, writing, speaking and listening in the modern day elementary classroom. Morning meetings, read-alouds, and group projects foster an integrated model of literacy with a special focus on speaking and listening. Appendix A of the Common Core State Standards (CCSS) states that “oral language development precedes and is the foundation for written language development; in other words, oral language is primary and written language builds on it.”

After students have begun reading and writing, speaking and listening still have an integral place in the classroom – so much that the CCSS set specific standards for speaking and listening to promote a balanced approach to literacy: “The speaking and listening standards require students to develop a range of broadly useful oral communication and interpersonal skills…students must learn to work together, express and listen carefully to ideas, and integrate information.” The speaking and listening standards expect students to participate in “rich, structured conversations” in which they are building on the ideas of others and speaking in complete sentences. Teachers need to create models and routines for deliberate and intentional dialogue that builds bridges to the students’ reading and writing. In that way, students have the opportunity to also recognize the organic intertwining of these modes of receptive and expressive language.

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Teaching Writer’s Craft With Multicultural Literature

Jane GangiJane M. Gangi is Associate Professor in the Division of Education at Mount Saint Mary College in Newburgh, New York, where she is a member of the Collaborative for Equity in Literacy Learning (CELL); CELL is working with Student Achievement Partners to make Appendix B of the Common Core more inclusive of multicultural literature.  She is the children’s literature section editor for the Connecticut Reading Association Journal, and Routledge will publish her third book, Genocide in Contemporary Children’s and Young Adult Literature: Cambodia to Darfur in November.

Most educators realize children need to see themselves in text to become proficient readers and to develop healthy identities. When our classroom library collections largely contain books with white characters, white children have more opportunities toWhat if we could embrace children of color with mirror texts, provide white children with window books, and teach writer's craft simultaneously? become proficient readers and to develop healthy identities. Rudine Sims Bishop (1990) described books that are “windows”—those that offer “views of worlds that may be real or imagined, familiar or strange” that children “only have to walk through” imaginatively. “Mirror” books are those in which “literature transforms human experience and reflects it back to us, and in that reflection we can see our own lives and experiences as part of the larger human experience” (n. p.). What if we could embrace children of color with mirror texts, provide white children with window books (for too long it’s been the reverse), and teach writer’s craft simultaneously?

Writer’s craft is part of writer’s workshop. In a mini-lesson, a teacher might read aloud a beautifully written book and then ask children to respond to what they notice about the author’s writing. Often children notice the format of a book and come up with evocative phrases, images, and sentences they observe in the book. If, however, they do not discover writer’s craft on their own, teachers can help them see components of writer’s craft.

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“The Common Core is Not a Curriculum”

What is the Common Core? How should it be used?Guest blogger

Katherine AliKatherine Ali is a dual-certified elementary and special education teacher. She recently graduated as a literacy specialist with a Masters in Science from Manhattanville College. She has experience teaching internationally in northern China and now teaches in the Bronx, NY.

As a first year teacher in the Common Core Era, I felt fortunate to have the Common Core State Standards as a guide for my instruction, especially working in a school with an under-developed curriculum and limited resources.  One of my most used applications on my phone was CommonCore, day in and day out.  Studying and closely reading the standards helped me choose the literature I wanted to share with my students, and furthermore it affected how my students and I were going to interact with those materials.  A video created by D.C. public schools, seen during a presentation I attended, was a turning point in my own understanding of the major differences between the Common Core and a curriculum.

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Why Hasn’t the Number of Multicultural Books Increased In Eighteen Years?

Note: This post was originally posted in June 2013. An updated study with new statistics can be found here. The infographic below has also been updated.

Since LEE & LOW BOOKS was founded in 1991 we have monitored the number of multicultural children’s books published each year through the Cooperative Children’s Book Center’s statistics. Our hope has always been that with all of our efforts and dedication to publishing multicultural books for more than twenty years, we must have made a difference. Surprisingly, the needle has not moved. Despite census data that shows 37% of the US population consists of people of color, children’s book publishing has not kept pace. We asked academics, authors, librarians, educators, and reviewers if they could put their fingers on the reason why the number of diverse books has not increased. Continue reading