Strategies for Teaching English Language Learners – Part 2: Choosing a Text and Vocabulary Words

Jill_EisenbergJill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

As I mentioned last week, the U.S. Department of Education’s Institute of Education Science (IES) and What Works Clearinghouse (WWC) released the latest educator’s guide to present best instructional practices for English Language Learners.

Let’s take a look at the guide’s first recommendation: Teach a set of academic vocabulary words intensively across several days using a variety of instructional activities.

Here is an example of how to apply the first recommendation using IES’s process and Lee & Low Books’ informational nonfiction text, Drumbeat In Our Feet.

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Ask an Editor: Worldbuilding After the Apocalypse

Stacy Whitman photoStacy Whitman is Editorial Director and Publisher of Tu Books, an imprint of LEE & LOW BOOKS that publishes diverse science fiction and fantasy for middle grade and young adult readers. This blog post was originally posted at her blog, Stacy Whitman’s Grimoire

Yesterday, Sarah Hannah Gómez wrote about people of color in dystopias. Today I thought we’d look at the post-apocalyptic genre (which overlaps with, but is not always the same as, dystopias) from the craft side. A while back, as I was going through submissions, a few thoughts formed for me about worldbuilding in the genre due to things I was seeing again and again. This isn’t by any means a comprehensive list of things to think about—just a few things that struck me as a pattern in some recent reads (and something I notice when it’s done well).

I guess everything I want to say actually falls under the old (and very useful) “show, don’t tell,” – which of course is relevant whether or not your novel is set after the apocalypse. So, here you go:

inverted pyramid

  • If you include newspaper clippings/stories as metatext to support the main narrative, make sure that it actually sounds like a news clipping. Use inverted pyramid structure, starting with the most important details and filling in backstory and history only once important details have been included. Who, what, why, where, when: these are the most important things to focus on in the first paragraph.
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Where are the people of color in dystopias?

Hannah GomezSarah Hannah Gómez has an MA in children’s literature and an MS in library and information science from Simmons College. Currently Guest bloggershe works as a school librarian in Northern California. An aspiring novelist and screenwriter, she is passionate about social issues in literature and social media engagement with books. She spends the rest of her free time singing, reading, and learning to run. Visit her blog at http://mclicious.org.

I was going to start this post with something pithy like, “How to survive the apocalypse: Be white. Or Morgan Freeman. Or, 2012 onwards, be a Kravitz!” I was going to tell you how dystopian and post-apocalyptic fiction and film allow creators to act out a future and explore countless possibilities that could ruin or save the world. And that is kind of what’s happening, though it’s a lot more complicated than that…

Have you noticed that every movie trailer that talks about Earth after some catastrophic event displays a civilization of white people (and to have a future with no diversity, when there is so much right here on the ground today, is disingenuous, odd, and patently false.*Morgan Freeman) speaking American English? Sure, some of that is unavoidable and practical–you can’t make a movie about everyone and in every language at the same time–but it’s also ethnocentric and exceptionalist of us. Not to mention problematic in myriad ways, because the lack of diversity goes utterly unacknowledged.

Generally in dystopia, the reader understands everything about the society in the story as a copy of their own, except when the author specifically points out the rules that make it different. So to have a future with no diversity, when there is so much right here on the ground today, is disingenuous, odd, and patently false.*

As it’s the United States that is driving the current success of dystopian genre, let’s look specifically at our diversity. White people will no longer be the majority within thirty years, says the Brookings Institution. And in the meantime, people of color are rising to positions of power (hey, Obama!) all over, and while we have a long way to go, old bastions of whiteness and power are being dismantled. While I can’t say this from experience, since I’m a woman of color, I can imagine that this is terrifying to people who are in a position to lose their power. If I were someone with lots of privilege and power, I would want to hold onto it, and it would be very nice to create a world in which I could.

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What does Cinco de Mayo celebrate?

Cinco de Mayo

Cinco de Mayo (Spanish for May Fifth) is a day celebrated in the United States and Mexico to commemorate the Mexican Army’s victory over the French Army during the Battle of Puebla. In Puebla, Mexico, it is referred to as “El día de la batalla de Puebla” (The Day of the Battle of Puebla). This day was started by Mexican Americans in the days of the American Civil War as a day to commemorate democracy and freedom.

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Strategies for Teaching English Language Learners In Elementary and Middle School–Part 1

Jill_EisenbergJill Eisenberg, our Resident Literacy Expert, began her career teaching English as a Foreign Language to second through sixth graders in Yilan, Taiwan as a Fulbright Fellow. She went on to become a literacy teacher for third grade in San Jose, CA as a Teach for America corps member. She is certified in Project Glad instruction to promote English language acquisition and academic achievement. In her column she offers teaching and literacy tips for educators. 

The Storyteller's Candle
from The Storyteller’s Candle by Lucia Gonzalez

Many of our classrooms include students whose home language is not English. In fact, EngageNY released a report documenting that in 2012-2013 New York State alone taught students who spoke more than 140 languages at home with Spanish making up nearly 65% of all English Language Learners.

Teaching students who are English Language Learners is enormously rewarding and meaningful. However, it at times can feel overwhelming, especially for those who have ever juggled multiple languages at once in the same classroom, supported a student whose language few of their peers or staff spoke, or worked with a student who had little formal school experience beforehand.

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Upcoming Releases from SHEN’S BOOKS

In case you haven’t heard, we acquired SHEN’S BOOKS last winter, and we couldn’t be more excited! Shen’s Books published great children’s books emphasizing cultural diversity and tolerance, with a focus on introducing children to the cultures of Asia. 

This month, we released the first title under our new Shen’s Books imprint: Summoning the Phoenix: Poems and Prose About Chinese Musical Instruments, and it’s been an amazing journey so far! The title received a starred review from Kirkus Reviewsand author Emily Jiang and illustrator April Chu have been very busy with book events!

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Interview with Jan Reynolds, Who Circumnavigated Mount Everest

jan reynoldsJan Reynolds is a writer, photographer, and adventurer who has written over fourteen nonfiction books for children about her travels. Her work has appeared in numerous publications including National Geographic, The New York Times, and Outside Magazine. Reynolds is an avid skier, mountain climber, and adventurer who held the record for women’s high altitude skiing, was part of the first expedition to circumnavigate Mount Everest, and performed a solo crossing of the Himalayas.

You are a world-class adventurer and athlete in addition to being a children’s author. Were you always a writer, or were you inspired to begin writing by your travels?

I’ve always been a writer…. I had a short story, fiction, that was published when I was in high school. I’m working on a young adult fiction book right now!

What was your hardest trip or exploration? Was there ever a moment in your travels when you wanted to turn back? What inspired you to keep going?

When I was crossing the Himalaya solo, I almost turned back, I was so sick (I talk about this in my documentary video, “Cultural Adventure with Jan Reynolds”). I lived in my tent alone for about four days and nights, and was found by a Sherpa and his son who nursed me back to health, and I finished my journey going from Nepal into Tibet over the Himalaya following the salt trade. I kept going because I needed to complete my trade on this salt trade route. I was working for National Geographic magazine, and I wanted to get my story!!jan reynolds_quote

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We Need Diverse Books Because…

It’s no secret that here at Lee & Low Books we value diversity – it is literally why we are in business. But we don’t always get down to the basics. Sharing the low numbers of books by/about people of color is not the same as convincing people we need more of them. Just dip your toes into the comments section of any major article about diversity in children’s books and you’ll see what I’m talking about.

When you don’t convince people that the lack of diversity matters, what you get is more of the same. And in publishing, more of the same pretty much looks like this: BookCon, a major one-day event for readers in New York City, releases a lineup of 31 participating authors…and all of them are white.

BookCon is the latest example and certainly a frustrating one, but it is by no means an isolated incident. It’s heartening to see so many recent articles covering the lack of diversity in children’s books, but the question is how that discussion can be turned into action on a large scale to change things. The status quo – massive underrepresentation of people of color – is like a huge, heavy boulder that needs to be moved. Awareness alone will not move it an inch. What’s required is a lot of people to give it a push.

That’s why I love the new #WeNeedDiverseBooks campaign happening this week. Here’s your chance to share with the world why diversity in books matters to you and why you want more of it:

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Poetry Friday: “Broadway Moon” from A Full Moon is Rising

marilyn singerMarilyn Singer is the author of more than one hundred children’s books, including many poetry collections. Her works have won numerous honors, including the Lee Bennett Hopkins Poetry Award Honor and the Orbis Pictus Honor. A Full Moon is Rising is a collection of poems that bring readers on a whirlwind tour of the world to discover an amazing collection of full moon celebrations, beliefs, customs, and facts. You can find out more about Marilyn Singer and her work on her website here.

Since April is National Poetry Month, we asked author Marilyn Singer to tell us a little bit more about what inspired her to write A Full Moon is Rising:

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Happy Earth Day from Lee & Low Books!

In an era of great global change, it’s more important than ever to take a moment today to think about how the Earth sustains us and how we can help to sustain it in return.

We asked author Jan Reynolds, whose work we have been showcasing throughout April here on the blog and whose travels have taken her from a hot air balloon over Mount Everest to the Sahara Desert, to share a few of her favorite photos and some thoughts on celebrating Earth Day:

I chose photos for Earth Day that aren’t big landscapes on purpose. We think of Earth Day as the Earth, pristine, something separate, while in reality…

Jan Reynolds with giraffe…the Earth is one big party with all kids of life on it, not just plant life and oceans. 

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