September is here and with the close of summer comes the close of our New Voices Award submissions window on September 30, 2017. It’s also a time when those who have submitted manuscripts—and those still in the process of doing so—may be grappling with some personal questions:
Should I submit my story if I’ve never written for children before?
I’ve always been an artist, but can I be a writer?
What happens to the winner and honor after the award?
Where can I find good advice from someone with experience?
These questions and others like them are not easily addressed in a FAQ page. So to provide this year’s participants with some insight to the contest and creative process, we reached out to former New Voices Award winners, honors, and artists who faced some of these same questions not too long ago. These three accomplished storytellers have forged successful careers as children’s book authors, illustrators, and even author/illustrators. In the following interview, author Paula Yoo (Sixteen Years in Sixteen Seconds), illustrator Shadra Strickland (Bird and Sunday Shopping) and author/illustrator Don Tate (It Jes’ Happened) share how participating in the New Voices Award helped shape their success.
A few weeks ago we hosted our first webinar, “Shaping Up Your Manuscript: A Conversation With Our Editors,” sharing writing advice for those who are interested in submitting to our New Voices Award, our New Visions Award, or just our general submissions. You can now watch (or rewatch) it online here: Continue reading
You’re a writer working on a manuscript and you’ve finally got your two most important characters in the same room. There’s tension between them. One character has a question and the other has the answer. The conflict your plot has been riding on has finally come to a head—these characters need to say what’s been on their minds for pages!
But how do you make sure that your characters say what they need to in a way that’s believable to the reader? Nothing ruins a moment like this more than when the dialogue doesn’t flow or sound believable. If this is a problem you’re grappling with, don’t worry. We asked two previous New Voices Award-winning authors, Pamela M. Tuck (As Fast As Words Can Fly) and Glenda Armand (Love Twelve Miles Long) for their tips and tricks on writing successful, realistic dialogue.
Summer is officially here, which means lots of warm weather, longer days, and receiving submissions for our New Voices and New Visions Awards! Our annual awards encourage writers of color to submit their work to a publisher that takes pride in nurturing new talent. As the number of diverse books increases, LEE & LOW BOOKS is dedicated to increasing the number of authors of color as well. Continue reading
Summer is officially here, which means the Lee & Low Books award season is upon us! The New Voices Award submissions window opened on May 1st and the contest is now in its eighteenth year! If you’re an unpublished children’s book writer interested in having your picture book manuscript considered for publication, you may be wondering how to make your submission standout from the competition. Whether it’s your first time submitting or your fourteenth, this blog post will help you craft a strong cover letter and manuscript that will help your submission rise to the top of the sea of entries.
Introducing your submission with a professional and thorough cover letter is a great way to make your submission stand out. The best cover letters provide the writer’s contact information (including email address and phone number), and answer all of the criteria listed in the New Voices Award submission guidelines. At Lee & Low we are very interested in the writers who participate in our contest. We use the information provided in their cover letters to learn more about who is interested in our company, where they are from, and what communities they represent. This information helps us determine how our contest has grown over the years and highlights which demographics we need to improve our outreach toward. When writers provide these details and discuss the inspirations behind their stories in their cover letter, it helps our judging committee get a better sense of who each writer is and connect them with their manuscript. Continue reading
Summer is right around the corner! That means the eighteenth annual NEW VOICES AWARD is now open for submissions. Established in 2000, the New Voices Award recognizes a picture book manuscript by an unpublished author of color. It was one of the first (and remains one of the only) writing contests specifically designed to help authors of color break into publishing, an industry in which they are still dramatically underrepresented. Continue reading
If you’re a new writer, looking for ways to publish a book can be daunting. It’s great that we live in a time where there’s a wealth of information at our fingertips, but a simple Google search may not get you the results that you’re looking for. So where should a writer go to find resources on how to get published as well as resources on craft?
Below we’ve compiled a list of websites, interviews, and blog posts from our very own editors that discuss writing and the publishing industry. We hope these resources serve as a starting point for any budding writer embarking on their very first writing journey.
After the success of the first #DVpit event in April, #DVpit is back for another round of Twitter pitching fun on October 5th and 6th! If you’re unfamiliar with this event, #DVpit is a Twitter pitch contest created to showcase pitches by marginalized voices and help connect them to agents and editors.
While the number of diverse books is increasing, the number of new diverse authors entering the field remains low. Significant barriers remain for authors of color, Native authors, disabled authors, and other marginalized voices. With that in mind, we are excited to share information on this special Twitter event! The information below is cross-posted with permission from literary agent Beth Phelan’s #DVpit website.
It’s August and with the New Voices Award deadline approaching in just seven weeks, participating writers may be starting to feel the heat. No sweat! The New Voices Award blog post series has got you covered from the summer sun of stress.
At this stage, you’ve probably got your cover letter and story written down. You’ve also read July’s post on the importance of voice in a story and made your narrative even more engaging to readers. Congrats! That’s two essential checks on the New Voices To-do list –but don’t seal the envelope just yet! Now that your story is down it’s time to begin the revision process.
Revision is an important part of the writing experience. It’s about revisiting what you’ve written, identifying what needs to be strengthened, and rewriting to improve your story. Every writer’s revision process is different so to provide some guidance we interviewed two New Voices Award Winners, Linda Boyden (The Blue Roses) and Jennifer Torres (Finding the Music/ En pos de la musica), about how their revision processes helped them prepare their stories for the New Voices Award.
Summer is settling in and this month marks the halfway point of the submissions window for our New Voices Award, an annual writing contest for unpublished authors of color. If you’re an aspiring writer working to submit a children’s book manuscript, you’ve probably got the basic elements of your story (characters, setting, and plot) figured out already. You may even have most of the story written down. If so, kudos! But a story is more than words on a page. It’s the voice behind the words that drives the narrative and keeps the reader engaged.
Unsure of how to tackle this essential yet elusive story element? Fear not!
Last month we interviewed New Voices Award winner Sylvia Liu about her path to publication. In this next blog post, New Voices Award Winner Patricia Smith and New Voices Award Honor Hayan Charara share their experiences with shaping voice while tackling the difficult themes in their award-winning titles Janna and the Kings and The Three Lucys. Continue reading