OK, tell me that this CNN promo does not sound just a little bit like the trailer for a horror movie:
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The first time I saw this ad, I was sitting on the couch with my roomate. “Oh my God,” she said, “I can’t believe how racist that sounded.”
This week is officially National Teen Driver Safety Week!
Now, before you think to yourself, “How many more of these random ‘holidays’ can there possibly be in one calendar year,” consider this: 1 in 4 crash fatalities in the US involves someone between the ages of 16 and 24. Nothing —not drugs, not sex, not rock n’ roll—kills more teens than driving, and the risk of a fatal crash goes up with each additional peer passenger in the car. This time of year the number of accidents goes up even higher because of things like homecoming. Take a look at these Teen Driving Safety Tips for ideas on raising safe young drivers.
Saturday is Black Poetry Day! And while sometimes these super-specific holidays can be a mixed blessing (if October 17 is Black Poetry Day, what are the other 364 days of the year?) I just can’t be against any holiday that celebrates poetry. Here are a few of my favorite poems by African American writers. Er, top five, let’s make it, otherwise I’d just go on forever. . .
Riding on the subway over the past few weeks, I kept coming across ads for ABC’s new “Comedy Wednesday” sitcom lineup: Hank, The Middle, Modern Family, and Cougartown. Now, aside from my personal feelings about some of these shows (Courtney Cox, what happened to you?) what struck me was how white–and I mean WHITE–the lineup looked, at least from the ads.
The lack of diversity in network programming isn’t anything new, but this fall it really bothered me, especially after reading this great article over at Movieline called “Who Is Killing the African American Sitcom?” Why is a comedy labeled as an “African American sitcom” as soon as it includes more than one black person in the cast? And why don’t sitcoms about people of color make the lineups of major networks anymore?
Woot! GRACIAS • THANKS by Pat Mora is our second book this fall to get a starred review from Kirkus (a review journal certainly not known for dishing them out freely). Since it’s running later than our other fall titles, this is the first review we’ve gotten in, so we were all pretty excited this morning to read this:
Earlier this week we posted our lunch poll because, well, at LEE & LOW we like food a lot. It plays a central part in many of our books, and here’s why. Think about the phrase, “You are what you eat.” That goes beyond guiltily scarfing down a bar of chocolate. What we choose to eat on a regular basis says a lot about the culture(s) we belong to. Vegetables or meat? Spicy or bland? What you like to eat is more than just biology; it’s the way you were raised, how your grandmother’s kitchen smelled, the kind of supermarket your parents shopped in.
A few nights ago I was having dinner with a friend who doesn’t work in publishing, and I was talking about how I think librarians are really great and I’m always impressed by the thoughtful ways in which they grapple with some truly tough issues.
“Er…like what?” he asked.
So I gave him this example from the NY Times about the Brooklyn Public Library’s recent decision to basically quarantine Tintin au Congo, a 70-year-old picture book with some pretty racist cartoons:
Just got word that The East-West House, Christy Hale’s biography of Isamu Noguchi, earned a star from the not-easily-impressed Kirkus Reviews! Thanks, Kirkus!
The review says, “Hale’s striking illustrations and the book’s elegant look are an homage to the Japanese landscape.” Can’t resist posting two of my favorites: