We’ll start things out with the bad news: a justice of the peace in Louisiana refused to issue a marriage license to an interracial couple. His justification? That any children the couple had might suffer discrimination. A quick history review: it was 1967 when the U.S. Supreme court ruled in the case Loving v. Virginia that race-based legal restrictions on marriage are unconstitutional. In other marriage-relate news, same-sex couples can still only get married in six states.
This morning, we went up to the Bank Street College of Education for the announcement of their Best Children’s Books of the year list—and to celebrate, with cake, the centennial of the Children’s Book Committee.
Every year for the last one hundred years, The Children’s Book Committee—then of Child Study Association of America, now of the Bank Street College of Education—has recommended books that are good for children. They read thousands of books, they share books with children and ask for their opinions, and then they make recommendations to teachers, librarians, and parents. They have good taste—they included Alicia Afterimage, Bird, Honda, Horse Song, No Mush Today, and Seven Miles to Freedom on their list of the best books published in 2008—and they love books.
Riding on the subway over the past few weeks, I kept coming across ads for ABC’s new “Comedy Wednesday” sitcom lineup: Hank, The Middle, Modern Family, and Cougartown. Now, aside from my personal feelings about some of these shows (Courtney Cox, what happened to you?) what struck me was how white–and I mean WHITE–the lineup looked, at least from the ads.
The lack of diversity in network programming isn’t anything new, but this fall it really bothered me, especially after reading this great article over at Movieline called “Who Is Killing the African American Sitcom?” Why is a comedy labeled as an “African American sitcom” as soon as it includes more than one black person in the cast? And why don’t sitcoms about people of color make the lineups of major networks anymore?
We have a bell on the wall in the office. It’s the good-news bell; whenever we get a starred review, an award, or a really big order, the bell is rung, the staff gathers around it, and the news is announced to the office.
Jason, as publisher, is the first to know when we get starred reviews: the relevant journal emails him the news. My first inkling comes when Jason sidles up to Hannah’s desk—right next to mine—and mutters something along the lines of, “Check your email. I forwarded something from Booklist.” After a pause long enough for the email to download and open, Hannah says, “oooh!” She then gets up and walks in the direction of the bell, Jason following surreptitiously two steps behind. That’s the point at which I know I’d better slip my feet into my shoes—I tend to kick them off under my desk—and get ready to gather around the bell for the good news.
Woot! GRACIAS • THANKS by Pat Mora is our second book this fall to get a starred review from Kirkus (a review journal certainly not known for dishing them out freely). Since it’s running later than our other fall titles, this is the first review we’ve gotten in, so we were all pretty excited this morning to read this: