In our earlier blog post, Diversity in Publishing: How Diverse is LEE & LOW’s Authors, Illustrators, and Staff, we shared a mini breakdown of our authors and illustrators as well as our staff. In the past, we’ve received a few questions asking about the percentage of authors/illustrators of color we publish as well as the percentage of people of color on our staff. And we hoped that this post would answer a few of those questions.
After posting the percentage, we received a few more questions: what is the breakdown per department? What is the breakdown by race and ethnicity? How many members of your staff are LGBTQ+ identifying, and/or disabled?
At the beginning of 2015 we conducted our Diversity Baseline Survey to measure the amount of diversity among publishing staff across the industry. The numbers told us something we already knew: publishing suffers from a major lack of diversity, not just in books but also in staff.
But we’ve also received this question: How diverse are the authors and illustrators that Lee & Low publishes? And how diverse is our Lee & Low staff?
As the largest multicultural children’s book publisher in the United States, we think this information is important to share. Below you’ll find our demographic breakdown of our authors and illustrators as well as our staff. Continue reading
Looking to expand your collection of authentic diverse children’s books? Lee & Low is excited to be participating in a free live webinar tomorrow on #OwnVoices books, hosted by School Library Journal! Continue reading
Back in 2009, we published a piece on this blog called “Ten Wills and Won’ts That Make Lee & Low a Special Place to Publish,” in which we shared some of the things we do — and don’t do — for our books and authors. Several years later, the publishing landscape has changed a bit, but our commitment to supporting our books and authors hasn’t. So, we decided to update our list and share why we think Lee & Low Books is still a pretty special place to publish. Continue reading
This week is Banned Book Week, a celebration of the freedom to read and an acknowledgement of the ongoing fight against censorship. There is much to talk about this year, including a fascinating survey by School Library Journal about librarian self-censorship and a PEN America report on challenged diverse children’s books, coupled with recent conversations sparked by author Lionel Shriver’s controversial comments about cultural appropriation and freedom of speech.
So, where are we when it comes to censorship? We asked authors, scholars, teachers, and librarians to share their thoughts with us in today’s roundtable. Participants: Continue reading
I’m getting married in a little under two weeks, and a few nights ago I had my first anxiety dream about my upcoming wedding. It went like this: my wedding and the American Library Association Annual Conference (ALA) had been scheduled for the same time. I was arranging books at our exhibit booth in my wedding dress, and when I tried to leave to head to the altar, an author appeared for her signing. She demanded that I stay and fix the lighting, which she said was not flattering. I woke up in a cold sweat.
It doesn’t take Freud to figure out where this dream came from. As any marketing person can tell you, conferences take an immense amount of work, planning, and mental energy. As it turns out, weddings do too. The good news is that I’ve learned a lot in my eight years of planning and attending conferences that helped me stay sane throughout the wedding planning process—and there’s a lot that wedding planning can teach about conferences, too. Here are a few tips that I’ve found to be true for both events: Continue reading
Tu Books, the middle grade and young adult imprint of respected multicultural children’s publisher LEE & LOW BOOKS, is thrilled to announce that author Supriya Kelkar has won its third annual New Visions Award for her middle grade historical fiction novel, Ahimsa.
The award honors a middle grade or young adult novel for young readers by an author of color who has not previously published a novel for that age group. It was established to encourage new talent and to offer authors of color a chance to break into a tough and predominantly white market. Continue reading
Looking online for resources as a new writer can be confusing. If you google “how to get a book published,” many of the first results you see are ads for resources that are sketchy at best—pay-to-play publishing, self publishing, vanity publishing. (While self publishing is a valid route, it’s important to know all your options before deciding self publishing is the right way for you.)
Change the query to “how to get a children’s book published” and the results aren’t much better. Eventually you may stumble on the helpful Frequently Asked Questions page for the Society of Children’s Book Writers and Illustrators (SCBWI), an excellent resource for new writers looking to improve their craft and figure out the publication process. But navigating all the resources out there, good and bad, can be tricky.
Sometimes, you need to cut through the layers of information overload and just learn from publishing professionals directly. This is where writing conferences come in—which offer this and much more. Continue reading
When asked for a list of key contacts who will support their upcoming book, many debut authors panic. “I don’t really know anyone,” they will say. But the truth is that most authors already have a large network of people at their disposal who will gladly assist in promoting their upcoming book: their friends and family. While these people probably can’t purchase a whole print run alone, a book can benefit from their support in some essential ways. Knowing the best ways to approach this group and maximize their impact is the key. Continue reading
Now that we’ve revealed the cover for the amazing Perfect Liars by Kimberly Reid (coming in May!), let’s talk about the cover design process. As with Ink and Ashes last year by Valynne Maetani, Perfect Liars is a YA mystery title. How do you give a book that mysterious air you need? How do you tell readers, “This book is for YOU!”?
The challenge in all YA book design is to create a cover that looks like it belongs in the YA section, but doesn’t look too much like the rest of the YA section. And to do that, you need a good designer. We found that designer in Liz Casal, who’s also designed covers for Little, Brown and Soho Press. Looking at her portfolio, we knew she was just the designer for the job. Continue reading