April is National Poetry Month. With so many forms of poetry to explore and share with students, what will you choose? Here are 4 ideas for using mentor texts to guide students in poetry study. And an additional bonus: a letter to teachers from author and poet, Pat Mora, on the power of poetry.
Tag Archives: Etched in Clay
2015 Texas Library Association Conference Signing Schedule
The Texas Library Association Annual Conference is next week! Will you be there? If so, we’d love to meet you. Here is our exciting signing schedule below:
Poetry Friday: “A Poem!” from Etched In Clay
Andrea Cheng is the author of several critically-acclaimed books for young readers. Her most recent novel, Etched in Clay, tells the story in verse of Dave the Potter, an enslaved man, poet, and master craftsperson whose jars (many of which are inscribed with his poetry and writings) are among the most sought-after pieces of Edgefield pottery. Etched in Clay recently won the Lee Bennett Hopkins Poetry Award.
April is National Poetry Month, so we asked author Andrea Cheng to share one of her favorite poems from Etched in Clay:
FEATURED POEM
Etched in Clay, p. 65
A Poem!
Andrea Cheng on Writing Biography in Verse
Andrea Cheng is the author of several critically-acclaimed books for young readers. Her most recent novel, Etched in Clay, tells the story in verse of Dave the Potter, an enslaved man, poet, and master craftsperson whose jars (many of which are inscribed with his poetry and writings) are among the most sought-after pieces of Edgefield pottery. Etched in Clay recently won the Lee Bennett Hopkins Poetry Award.
When I heard an NPR review of Leonard Todd’s book, Carolina Clay, I knew that Dave’s was a story I wanted to tell. And from the start, I knew that I wanted to tell it in verse. Readers often ask me why. I didn’t make this decision consciously, but subconsciously, I think there were reasons.
The evidence of Dave’s life is fragmentary: pots and shards and bills of sale. This means that each small piece of evidence stands for something more, something much larger than the object itself. For example, the first bill of sale shows that Harvey Drake purchased a teenage boy for six hundred dollars. He was “country born” with “good teeth” and “a straight back. “ (Etched in Clay, p. 7) There is so much sorrow in these few words. A person is being evaluated and then sold like an animal. After a quick transaction, he becomes the property of someone else. The only way I know to allow a reader to feel this sorrow is through the intensity of a poem.
What does close reading look like in Fourth Grade?
Jaclyn DeForge, our Resident Literacy Expert, began her career teaching first and second grade in the South Bronx, and went on to become a literacy coach and earn her Masters of Science in Teaching. In her column she offers teaching and literacy tips for educators.
Over the past several weeks, I’ve been modeling how to do a close reading at several different grade levels. Next up: Close Reading in Fourth Grade using the T level text Etched in Clay: The Life of Dave, Enslaved Potter and Poet written and illustrated by Andrea Cheng, out this January!
One way to structure close reading questioning is to use the format laid out by the Institute for Learning of the University of Pittsburgh. Under their framework, students read the text selection four times: first, to get the gist; second, to find significant moments or ideas; third, to interpret the ideas in the text; and finally, to analyze the author’s methods (craft). Here’s an example of how to plan out your questions for close reading of the introduction through the first 13 pages of Etched in Clay:
How to make a woodblock print
One of our upcoming books that I’m most excited about is a new middle grade novel in verse called Etched in Clay, out this January. Etched in Clay, by Andrea Cheng, explores the life of Dave the Potter, an enslaved man from South Carolina who learned how to read and write. Dave is famous for inscribing his own poetry and thoughts on the pottery that he made – a very daring thing in light of the harsh anti-literacy laws for slaves in place at the time.
Author and artist Andrea Cheng used woodcuts to create the delicate spot art for Etched in Clay. Here’s how she did them: